The contents of the first volume of the series include a posthumous publication of Frank Hubbard's a detailed study of the surviving instruments from the famous Blanchet workshop in 18th-century Paris by his life-long friend and sometime partner William Dowd (Cambridge MA) and a pioneering investigation by Christopher Page (New College Oxford) into the medieval origins of the harpsichord.

Diane Hubbard:
Christopher Page, Contributor:
William Dowd, Contributor:
Howard Schott, Editor: