Franz Liszt’s correspondence with the Comtesse Marie d’Agoult, herself a celebrated historian and the mother of Liszt’s three children, has only recently been made available in anything like respectable form. A decade ago French scholar Serge Gut, together with Jacqueline Bellas, published a ‘definitive’ edition of the surviving Liszt-d’Agoult letters, thereby replacing the heavily edited and incomplete edition of the 1830s.
Working closely with Gut, Michael Short has translated the entire correspondence into English. adding new footnotes and references in the process.
The bulk of the translated correspondence containing more than 400 of the letters will soon be available in an edition from Pendragon Press. As such it will join Pauline Pocknell’s edition of the Liszt-Agnes Street-Klindworth Letters and Short’s own edition of Liszt letters in the Library of Congress as No. 12 in Pendragon’s "Franz Liszt Studies Series" edited by Michael Saffle.
February 10, 2015
While it may not quite have been the “affair that held everybody shocked, spellbound and continually seeking further vicarious excitement” (p. vii) in the nineteenth century, as Michael Short characterizes it, the topsy-turvy relationship between Franz Liszt and the (married) Countess Marie d’Agoult from about 1833 through the mid-1840s ranks as a—perhaps the— foundational component of Liszt’s early career as musician, artist, thinker, and overall romantic figure. . . .
There is . . . plenty to learn about Liszt and his world in Short’s excellent edition. The Parisian salon is routinely singled out, with Liszt acknowledging its necessity but criticizing its shallowness—a perspective that would influence his choices, both large and small, for how he would present his music well into the early 1860s. Concert life—its regional varieties, sponsors and critics, and audiences—are a frequent subject in the correspondence be ginning around 1838, as is Liszt’s growing frustration with trying to maintain what today could be called an ideal work–life balance. This latter topic of the correspondence also serves as an important reminder that Liszt was not always the blameless victim that he is often made out to be, and that he did at times choose to further his career at the expense of his family. These letters also document in unusual detail the emergence of ideas that are associated with nineteenth-century musical romanticism in general, and Liszt in particular.
This collection contains composer Franz Liszt's correspondence with Comtesse Marie d'Agoult, who was the mother of his three children. It is abridged from and based on the critical edition by Serge Gut and Jacqueline Bellas, and the letters (about 400 of the original 652) have been annotated, translated, and edited for this volume. The preface provides background on Liszt and d'Agoult's relationship.
“Reference — Research Book News” Book News Inc.
October 28, 2013
Franz Liszt (October 22, 1811 - July 31, 1886) was a 19th-century Hungarian composer, virtuoso pianist, conductor, teacher and Franciscan tertiary. Comtesse Marie D'Agou was a celebrated French historian and the mother of Liszt's three children. Michael Short has translated and edited for publication more than 400 letters between Franz Liszt and Marie D'Agou. The result is a remarkable 400 page compendium that is a unique and invaluable contribution to students of Liszt, his life and his work. No personal , professional, or academic collection dedicated to Liszt's life and achievements can be considered complete without the inclusion of the Pendragon Press edition of Michael Short's "Correspondence of Franz Liszt and the Comtesse Marie D'Agou". Also strongly recommended for students of Liszt's life and work is Michael Short's "The Letters Of Liszt In The Collections Of The Library Of Congress" (9781576470206, $76.00).
“THE MIDWEST BOOK REVIEW” The Music Shelf
Born in Totton, England in 1944, Michael Short was educated at Westminster School and then at Aiglon-College, Switzerland, where he specialized in modern languages. On returning to England, he worked in advertising, rising to be co-director of an international consultancy.
At the age of 40, he relinquished this position, having decided to devote himself to research in music and, especially, that of Liszt. In 1991, he published a brief article on a piano work of Liszt, establishing its correct dating. This led directly to his being approached by Dr. Leslie Howard, with respect to a collaboration on a new Thematic Catalogue of the Works of Liszt, which is now reaching a conclusion after over twenty years of work. He has subsequently published a number of articles in the Liszt Society Journal of Great Britain and elsewhere, as well as editing for Pendragon Press The Liszt Letters in the Library of Congress as part of the Liszt Studies Series and producing, with Leslie Howard, Franz Liszt: A List of Works, as a preliminary revised catalogue, without musical examples, as part of the Quaderni dell' Istituto Liszt, Bologna.
He lived for a number of years in South Africa and, latterly, in France. He has also participated in Liszt conferences in Budapest and Rouen, both as speaker and as observer and will continue to do so where possible.