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Aesthetics in Music
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Historical Harpsichord
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A Dimension of Sound
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Jean-Georges Noverre 1727-1810
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Philidor Manuscripts: Dance Mu...
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A Musical Offering
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Giovanni Battista Pergolesi
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Ignace Pleyel
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Heinrich Schenker
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Three Haydn Catalogues
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Franz Schneider (1737-1812)
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Franz Benda (1709-1786)
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Fables of La Fontaine
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Guitar & Vihuela
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Piano and Song (Didactic and P...
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Les Paladins
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Music in Paris in the 1830s
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Giovanni Paisiello (1740-1816)
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Melidor Et Phrosine
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Thematic Catalogues in Music
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Musical Aesthetics: An Histori...
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Explorations in Music the Art...
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Modern Music Librarianship
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Musical Aesthetics: A Historic...
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Rhythm and Life
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Musical Aesthetics: A Historic...
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Contemplating Music
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The Audition Process
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Irving Fine
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Biomusicology
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Historical Harpsichord 3
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Philidor Manuscripts: Dance Mu...
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Liszt In Germany 1840-1845
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The Canon and the Curricula
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Analyzing Fugue
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Concert Song as Seen
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Giovanni Gabrieli (ca. 1555-16...
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Contemplating Music (Set of 4 ...
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Festa Musicologica
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Analecta Lisztiana II
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Liber Amicorum John Steele
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Symphonic & Chamber Music Scor...
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Wagner in Rehearsal 1875-1876
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A Catalogue of the Works of Ra...
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Valentin Haussmann (1565/70 - ...
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Musica Franca
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A Different Story: Aesthetics ...
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Busoni and the Piano
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Era After The Baroque
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Music Philology
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Transcendent Mastery
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Neo-Mythologism in Music
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Prophetic Trumpets
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Handel Studies
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Schoenberg’s Chamber Music Sc...
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Ernõ Dohnányi
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The Orpheus Myth and the Power...
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The Complete Copland
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Musical Implications
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The Instrumental Music of Iann...
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The Key to Beethoven
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The Power of the Moment
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Manon
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The Dramatic Symphony
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Liszt: A Chorus of Voices
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The Sound of Finnish Angels
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Call to the Dance
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Musical Functionalism
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Trombone in the Renaissance
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Werther
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Johann David Heinichen's Comp...
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Lebewohl
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Recondite Harmony
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The Worlds of Harpsichord and ...
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Xenakis Matters
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Jean-Georges Noverre 1727-1810
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Practical Vocal Acoustics
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A Dimension of Sound
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The Timpani Supplement II
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An Organ A Day
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Practical Vocal Acoustics (Spi...
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Giovanni Croce
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